Your prose, seen clearly

Open the Analysis control and pick from ten lenses: adverbs, filter words, intensifiers, to-be verbs, passive voice, said-bookisms, sensory words, echoes, sentence rhythm, and repeated openers. Turn one on and it colours the manuscript itself — the analysis is the page, not a report in a side panel.

Stack a few at once, and switch the language for the word lenses: English, Spanish, French, and Italian come built in, and a Custom option learns any other tongue — Slovak, a dialect, a conlang — from your own book, so the AI writes the dictionary once and the lenses read it forever.

Hover a lit word for the one-line why; click it and a calm sidebar opens with the case against the habit, the case for it, and a takeaway — because every one of these "rules" is a live craft debate, not a verdict. Beneath sit every occurrence in the chapter (click to jump) and a quiet count.

There's no score and no "fix this." The lens shows you the pattern; whether to keep it or break it on purpose stays your call.

The Rhythm lens tints every sentence by its length on a continuous cool-to-warm scale — a long block of one colour is monotony creeping in; a jagged mix is prose that breathes. Openers flags two or more sentences in a row that start on the same word.

Both read structure rather than words, so they work in any language — no lexicon required.

The Sensory lens tints each word by the sense it evokes — sight, sound, touch, smell, taste — and the sidebar tallies the mix. A scene lit only in one colour is all-visual: the reader never hears or feels it. Not a mistake to fix, just something worth seeing.

Alongside it: intensifiers that prop up a weaker word, static to-be and passive constructions, and said-bookisms — each with the same two-sided guidance.